Dog. Rooster.
Pig.

Céline Mathieu
The Living Room, June 2018

A solo presentation of recent work by Céline Mathieu. She investigates minds, selves and 21st-century artefacts, that take the shape of prose, objects, performances and essays. In Dog. Rooster. Pig. Céline exhibited objects encountered and mounted in her studio at AIR Antwerpen over the course of the past few months.

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Touching (Karen Barad-On touching.pdf, cement)

detail: Touching

Untitled (plastic, polish)

The earth eating his staff ¹²²³ (plastic, metal, print on paper)

detail: The earth eating his staff ¹²²³

Hokus, Pokus, Griot (metal, novel)

Untitled (soft material)

Een goede ruiter is zijn eigen paard (wood, paint, rubber bands)

detail: Een goede ruiter is zijn eigen paard

Untitled (nail, wood, paint)

installation view, photo © Alexandra Bertels

Touching (Karen Barad-On touching.pdf, cement)

Dog. Rooster. Pig. (plastic, sticker)

detail: Ion Changer

Ion Changer (plastic, electricity, metal)

Gestalt (wood, baby oil, silicone)

detail: Gestalt

Untitled (fabric Wien scarf, postcards)

(Pig sticker)

If you find a lonely head, leaning: Ave Walt (wood, rubber bands)

detail: Hokus, Pokus, Griot

Fish (plastic, plasticine)

Dog. Rooster. Pig. (temporary tattoo, worn by the artist)

installation view, photo © Alexandra Bertels

Fountain (water, porcelain, wood)